- EAN13
- 9782841102259
- Éditeur
- Flammarion
- Date de publication
- 03/10/2018
- Collection
- Langue anglaise
- Langue
- français
- Langue d'origine
- français
- Fiches UNIMARC
- S'identifier
Livre numérique
-
Aide EAN13 : 9782841102259
-
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6 appareils
- Lecture audio
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49.99 -
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Aide EAN13 : 9782841102273
-
Fichier PDF, avec DRM Adobe
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Impossible
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6 appareils
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49.99 -
Fichier PDF, avec DRM Adobe
Willy Ronis (1910–2009) was one of the great photographers of the twentieth
century. Selected by MoMA curator Edward Steichen for inclusion in two
groundbreaking exhibitions, The Family of Man and Five French Photographers,
his work depicts the poetic and poignant reality of life in postwar France.
From carefree children to embracing lovers, and from sun-dappled Provence to
the cobblestones of Paris, Ronis’s humanist eye found joy in the simplest
moments of everyday life. In his last decades, Ronis donated his complete
works to the French State. To accompany this gift, he made a personal
selection of what he considered to be his most noteworthy images—590 in
total—mounting them in a series of albums and providing meticulous commentary
on each photograph. Combining anecdotes with historical and technical context,
they constitute an essential document on the photographer’s long career. This
exceptional volume reproduces, in full, the contents of Ronis’s albums for the
first time. Together they form a touching, intimate portrait of the life,
career, and worldview of a singular artist in the history of photography.
century. Selected by MoMA curator Edward Steichen for inclusion in two
groundbreaking exhibitions, The Family of Man and Five French Photographers,
his work depicts the poetic and poignant reality of life in postwar France.
From carefree children to embracing lovers, and from sun-dappled Provence to
the cobblestones of Paris, Ronis’s humanist eye found joy in the simplest
moments of everyday life. In his last decades, Ronis donated his complete
works to the French State. To accompany this gift, he made a personal
selection of what he considered to be his most noteworthy images—590 in
total—mounting them in a series of albums and providing meticulous commentary
on each photograph. Combining anecdotes with historical and technical context,
they constitute an essential document on the photographer’s long career. This
exceptional volume reproduces, in full, the contents of Ronis’s albums for the
first time. Together they form a touching, intimate portrait of the life,
career, and worldview of a singular artist in the history of photography.
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